Monday, December 26, 2011

Mitsubishi 915P028010 Lamp for Mitsubishi DLP TV

!±8± Mitsubishi 915P028010 Lamp for Mitsubishi DLP TV

Brand : Mitsubishi | Rate : | Price : $72.90
Post Date : Dec 26, 2011 13:18:18 | Usually ships in 24 hours

This Mitsubishi original equipment 915P028010 replacement lamp fits the rear projector DLP TV models listed below. These lamps contain mercury and must be disposed of properly. Included with each replacement lamp is a prepaid shipping label to return your old lamp to Mitsubishi for recycling.

  • Mitsubishi 915P028010 Lamp for Mitsubishi DLP TV

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Tuesday, December 20, 2011

Mitsubishi MB-S73A Base for WD-73C9, WD-73837 Models

!±8±Mitsubishi MB-S73A Base for WD-73C9, WD-73837 Models

Brand : Mitsubishi
Rate :
Price : $399.00
Post Date : Dec 20, 2011 21:15:41
Usually ships in 24 hours



Mitsubishi MB-S73A Base for WD-73C9, WD-73837 Models

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Friday, December 16, 2011

Mitsubishi 60 120Hz, 1080p DLP Home Theater TV with HDMI...

For More Info or to Buy Now: www.hsn.com Experience breathtaking high-definition home theater with the Mitsubishi 60" 120Hz, 1080p DLP Home Theater TV with HDMI Cable. Enjoy smooth rendering of your favorite films, games and sporting... Prices shown on the previously recorded video may not represent the current price. View hsn.com to view the current selling price. HSN Item #448856

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Monday, December 5, 2011

Mitsubishi WD-73640 73-Inch 1080p Projection TV

!±8± Mitsubishi WD-73640 73-Inch 1080p Projection TV

Brand : Mitsubishi | Rate : | Price : $1,399.00
Post Date : Dec 05, 2011 13:48:39 | Usually ships in 2-3 business days

73" 3D DLP Home Cinema TV

  • The 73? Mitsubishi 3D DLP Home Cinema TV delivers incredible picture performance at an exceptional value
  • HDMI-PC Compatiblity
  • With picture performance that outpaces today?s smaller flat panels
  • 3D TV (VESA Jack and DLP Link)

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Friday, December 2, 2011

Mitsubishi 915P049010 DLP TV Replacement Lamp

!±8± Mitsubishi 915P049010 DLP TV Replacement Lamp


Rate : | Price : | Post Date : Dec 02, 2011 02:18:17
Usually ships in 1-2 business days

Mitsubishi Projection DLP TV Models: 52", 57", and 62"

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Tuesday, November 29, 2011

The Rapid Pace of Evolution in Consumer Electronics

!±8± The Rapid Pace of Evolution in Consumer Electronics

The evolution of consumer electronics, high definition displays, digital broadcasts, displays and media is happening at an increasingly rapid pace. Advancements in technology are occurring much faster than before, reducing the time to deliver new technologies to market at an exponential rate. The algorithm for designing and delivering new technology is nearly a fifty percent reduction in time with every significant breakthrough. With such a rapid race for invention the simultaneous introduction of diverse technologies is as inevitable as price erosion and shortened life cycles for what is considered "new" in consumer electronics.

A brief history of Television and the advancement of Display Devices underscores the incredibly increasing pace of developing technology.

In 1876 Eugene Goldstein coined the term "Cathode Ray" to describe light emitted when an electric current is forced through a vacuum tube. Fifty years later in 1928, GE introduced the Octagon, a television with a spinning disc and a neon lamp that created a reddish orange picture that was half the size of a business card. By 1948, twenty years later, the demand for black & white television began a transformation in communications and entertainment. By 1949, several familiar brand names fought for a share of the booming market. These brands included familiar names like Admiral, Emerson, Motorola, Philco, Raytheon, RCA, and Zenith. The market was also saturated with brands like Crosley, Du Mont, Farnsworth, Hallicrafters, Sparton and Tele-Tone. In 1951 CBS broadcasted a one hour Ed Sullivan show in color, but there were only two dozen CBS television sets that could process the color broadcast. In 1954, RCA brought the first color television to market, but only 1,000 units were sold to the public that year. In 1956, Time Magazine called color TV the "most resounding industrial flop of 1956".

The Plasma Display Panel was invented at the University of Illinois in 1964 by Donald H Bliter, H Gene Slottow and student Robert Wilson. The original monochrome displays were popular in the early 1970's because they did not require memory or circuitry to refresh the images. By 1983, IBM introduced a 19 inch monochrome display that was able to show four virtual sessions simultaneously. By 1997, Pioneer started selling the first color Plasma televisions to the public. Screen sizes increased to 22 inches by 1992, and in 2006 Matsushita unveiled the largest Plasma video display of 103 inches at the Consumer Electronics Show (CES) in Las Vegas, Nevada.

DLP was developed at Texas Instruments in 1987 by Dr. Larry Hornbeck. The image is created by selective reflection of colored beams of light on a Digital Micromirror Device (DMD Chip). Each mirror represents one pixel on the projected image. The number of pixels represents the resolution. For example, 1920 x 1080 resolution refers to a grid of individual dots of light that are 1920 wide x 1080 high, created from the beam of light reflected off of the same number of tiny mirrors on chip that is smaller than a postage stamp. Concentrated light from a bright Mercury Arc Lamp is beamed through a small rotating color wheel of red, green, blue and sometimes white. The light passing through the color wheel is reflected on the tiny mirrors act independently to point the colored light at or away from the pixel target. The colors perceived by the human eye are a blending of combinations of the red, green and blue reflections in each pixel, and the combination of pixels create the total image. This technology was widely used in Digital Projectors and gradually became a competing technology to Cathode Ray Tube projection television sets, at least until consumers discovered the cost of replacing the high intensity projector lamps.

In 1904 Otto Lehman published a work on Liquid Crystals. By 1911, Charles Mauguin described the structures and properties of liquid crystals. In 1926, Marconi Wireless Telegraph company patented the first practical application of the technology. It was not until 1968 that George Heilmeier and a group at RCA introduced the first operational LCD Display. In December 1970, M. Schadt and W. Helfrich of the Central Research Laboratories of Hoffman-LaRoche in Switzerland filed a patent for the twisted nematic field effect in liquid crystals, and licenses the invention to the Japanese electronics industry for digital quartz wrist watches. By 2004. 40 inch to 45 inch LCD Televisions became widely available on the market, and Sharp introduced a 65 inch display. By March 2005, Samsung introduced an 82 inch LCD panel. Then in August 2006, LG Philips unveiled a 100 inch LCD display. At the Consumer Electronics Show (CES) in Las Vegas, Nevada in January 2007, Sharp once again claimed the top spot for size as they introduced the 108 inch LCD panel under the brand name AQUOS. From tiny liquid crystals to the battle for supremacy and 108" displays, the demand for bigger size and sharper contrast in high definition video has proved once again that Size Matters.

By 2006 there have been more than 220 manufacturers of television sets, and the list is growing just as the types of technology for displays is expanding. Other display technologies include Vacuum Flourescent Display (VFD), Light Emitting Diode (LED), Field Emission Display (FED), not to be confused with K-FED, and Liquid Crystal on Silicon (SED). As the ability to generate and provide high definition broadcast on demand continues to develop, the demand for improved quality and larger displays will continue to increase proportionally. The technology to watch for the next significant leap in high definition and quality image reproduction will be the Surface Conduction Electronic Emitter Display (SED).

So where will the high definition images come from? This pace of technology and battle for formats is racing even faster than the development of the display devices.

Ampex introduced the first commercial Video Cassette Recorder in 1956, with a price tag of US,000. The worlds first Video Cassette Recorder for home use was introduced by Philips in 1972. By 1975, SONY introduced Betamax. The first VHS VCR arrived to market in 1977, JVC's HR-3300, creating a format war that raged for market share during the 19080's. By the 1990's the battle for dominance between VHS and Beta was replaced by a new battle between the MultiMedia Compact Disc from SONY and Philips, versus the Super Density Disc supported by Time Warner, Matsushita, Hitachi, Mitsubishi, Pioneer, Toshiba and Thomson. Amazingly enough, it was Lou Gerstner, president of IBM, who stepped forward and acted as matchmaker to convince the rival camps to collaborate and combine the best of both technologies into a single standard. The result of which became the DVD Consortium, later became known as the DVD Forum. The competing technologies collaborated on standards for manufacturing DVD products with common format until the battle for supremacy was revived in 2006 between HD DVD and Blu-Ray high definition video.

It took 20 years to migrate from a ,000 commercial device to a Video Cassette Recorder for the home. It was almost a 20 year battle in the format war between VHS and Beta, until rival camps under the guiding hand of Lou Gerstner collaborated on a common DVD format. The common DVD format lasted for a mere ten years until the competing technologies once again took the field of battle to claim dominance in the high definition video market, as HD DVD and Blu-Ray fight for supremacy, movie titles, profit and the bragging rights to define the next standard in the evolution of video. At this pace of technology evolution, advancement occurs twice as fast or in half the time of the proceeding era. At this rate we can anticipate the announcement of the next significant advancement in technology and another format within the next five years. Will the next format combine the best technologies of HD DVD and Blu-Ray? Will the next step in evolution be based on utilization of more colors from the spectrum to create even greater definition? Will the format war for storage medium like VHS tapes and Blu-Ray discs become obsolete as the new medium transforms to wireless video streaming on demand? One thing is for sure, it will not take long to find out. Hold on to your VHS movies, compact discs and DVD's, as these will be collector's items and museum pieces before a child born today will graduate from college.

Are you concerned about having the latest technology when you make your next purchase in consumer electronics? Are you worried about selecting the right format, so your library of movies and collection of media will last longer than your pile of LP records and eight track tapes? Choose a display that supports Digital High Definition, learn about the types of INPUTS for your display device or television, and then pick the one that fits your budget. The types of INPUT and connections are important for being able to take advantage of the best display possible from your television or display device. As for recorded media, take your chances on the media that has the most selection of titles and is compatible with your other entertainment devices. There is a good chance that the state-of-the-art technology you purchase today will be obsolete before your extended warranty expires, so sit back and enjoy the evolution.

Words of Wisdom

"The theory of evolution by cumulative natural selection is the only theory we know of that is in principle capable of explaining the existence of organized complexity."
- Richard Dawkins

"Television is the first truly democratic culture - the first culture available to everybody and entirely governed by what the people want. The most terrifying thing is what people do want."
- Clive Barnes

"Any sufficiently advanced technology is indistinguishable from magic."
- Arthur C. Clarke


The Rapid Pace of Evolution in Consumer Electronics

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Friday, November 25, 2011

Herculian 3D Emitter for Samsung and Mitsubishi TV's Now Available

!±8± Herculian 3D Emitter for Samsung and Mitsubishi TV's Now Available

A new high powered 3D emitter for Samsung and Mitsubishi DLP televisions which boasts more broadcasting power and keeps your 3D glasses dialed in and synced to your television is now available for 3D fans.

Most 3D enthusiasts have had minor issues arise from their television emitters and the signal cast out to their glasses.

This new high powered 3D emitter for TV blasts more power to 3D glasses.

Here's the pros:

A reversible signal which allows for both the DLP glasses and IR 3D Glasses to function at the same time. Which means you can use either type with this emitter.
A curved front face plate which increases the maximum broadcast range and blankets your entire room in the signal needed to keep your glasses synced to the television. The larger broadcasting range allows for viewers to sit away from their television.
A detachable power cord which is easily replaced if bent or broken. Most cords on other emitter's are hard wired so you would have to replace the entire emitter if the cord is damaged.
Cranks out 200 micro volts ensuring the entire home theater room is cast in a net of IR signal.
Works with IR and DLP 3D glasses.

Most people don't know Mitsubishi and Samsung televisions use what's called "checkerboard" to distribute content from the glasses to the 3D emitter.

Now here's where the headaches begin. Most 3D manufacturers don't use this type of format. Which causes problems with syncing your glasses for Blu ray players or gaming consoles.

And if you're a 3D enthusiast then you want a 3D emitter which not only functions correctly, it also is easy to use and set up.

On the downside this high powered emitter is not produced the big name manufacturers and is only available online as far as I can tell.

One thing I did discover with the Mitsubishi 3D emitter is if it breaks and is past its warranty, you would need to buy a whole kit as they don't offer it as a stand alone package.

In conclusion, after trying both the manufactured 3D emitter and the high powered emitter, I found both comparable. But, the high powered 3D emitter did broadcast further. It allowed me to set farther away from the television and enjoy my favorite shows. Plus, I rarely lost the sync between my 3D glasses and the television and didn't have to mess with resetting the polarity. Which became a problem with my other 3D emitter.


Herculian 3D Emitter for Samsung and Mitsubishi TV's Now Available

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Saturday, November 19, 2011

HDTV For the UnGeek

!±8± HDTV For the UnGeek

The FCC standard for HDTV broadcast is having a huge impact. The amount of information to be digested can be intimidating, even for the professional. The old hardware does not become obsolete, but it will require a tuner to convert from the new signal if you get your signal from a VHF/UHF antenna. If you have cable or satellite TV, this will be taken care of by the service provider.

However, this might be a good time to upgrade your hardware. The new standard offers a much better picture. In the current world of digital projectors, LCD, LCOS, Plasma, and DLP are the four different kinds of televisions that dominate the HDTV market. Each has unique advantages over the other. Plasma and some of the LCD screens can be mounted on the wall, although surveys find that few people do mount them on the wall. DLP and LCOS and some of the LCD units are both projector technologies. Rear projector units are usually the most cost-effective. The size of some systems is now less than 12 inches in depth.

o Video quality on the best projectors now surpasses that available in a conventional commercial movie theater.

SYSTEM TYPES:

o Traditional TV: also called direct view, has the images displayed on a picture tube (Cathode Ray Tube).
LCD (Liquid Crystal Display) and Plasma TV can also be direct view. The LCD and Plasma TV systems are the "flat-panel" units.
o Rear Projection TV (RPTV): uses a combination of mirrors and lenses to project the image from behind onto the viewing screen. This enables the displayed picture to be significantly larger, up to 70 inches or more. This technique usually offers the best value (picture size vs. cost).
o Front Projection TV (FPTV): this is like a movie theater. The image is projected forward, to an external screen. But like a movie theater, a very dark room is required because the screen will reflect any light in the room. This technique is usually more expensive than rear-projection, but the footprint (the area consumed by the equipment) of the system is smaller.

DISPLAY TECHNIQUES:

CRT (Cathode Ray Tube):

The established standard for television displays; good value, picture quality. The maximum size of the screen is smaller with the technique. The technology is still a good choice where a smaller picture is desired, and bulkiness is not a concern.

Liquid Crystal Display (LCD):

Thin design, but has problems displaying images in motion (sports), the images tend to streak. These projectors usually contain three separate LCD glass panels, one for red, green, and blue components of the image being projected. As the non-colored light passes through the LCD panels, individual picture elements (pixels) can be opened to allow light to pass or closed to block the light. This produces the image that is projected onto the screen.

Historically, LCD sets have had a problem with visible pixilation. This is less apparent on newer sets with higher screen resolutions.

Most LCD systems use a fluorescent backlight, to shine through the LCD screen. This type of backlight will need to be replaced every few years. Some manufacturers are introducing sets with LED backlights, with a 10X longer lifetime. Even though the initial cost may be more, the cost of ownership advantage can make this design worth a look.

Pros:
o Better color saturation, more rich and vibrant
o Better sharper image, important for text
o More energy efficient

Cons:
o Poor black levels and contrast
o Problems displaying images in motion (sports)
o LCD panels (mainly in the blue channel) can degrade, causing shifts in color balance
o Visible pixelation

Liquid Crystal on Silicon (LCOS):

A type of LCD Technology, LCOS uses liquid crystal rather than mirrors to project (usually rear projection) an image on the screen. LCOS is a good value compared to plasma and LCD sets, but expensive when compared to all other rear projection television technologies such as DLP. This technique uses a chip like a DLP (see below) set does, but the chip is coated with liquid crystal, which reflects the image seen on the screen. LCOS based systems allow for higher screen resolution than an LCD display or a plasma display.

Pros:
o Sharp, vivid colors, and deep black levels
o It does not slowly change over time as a plasma set does

Cons:
o Dead pixels usually happen because the technology is partially reflective
o High Maintenance Cost: LCOS requires frequent bulb changing requirements (anywhere from 6,000 to 8,000 hours, about 3-4 years with normal usage) versus 50,000 or more for most LCD or plasma screens. A replacement bulb will cost about 0
o Reproducibility: Image quality can vary greatly from machine to machine

Digital Light Processor (DLP):

The DLP is a Texas Instruments product that is manufactured in Korea. It uses a chip with many mirrors (can be more than one million mirrors on a chip of about one square inch) that can be mechanically steered to reflect the correct color. This technology offers excellent display, at a moderate cost.

In the best DLP projectors, like the ones in use at your local movie theater, there are three separate mirror chips, one each for the red, green, and blue channels. However, in the DLP projectors marketed for the masses, there is only one chip. In these sets, to define color, there is a color wheel that consists of red, green, blue filters. This wheel spins between the lamp and the DLP chip and alternates the color of the light hitting the chip.

The spinning color wheel used to project the image can produce a problem on the screen known as the rainbow effect, which is colors separating out in distinct red, green, and blue. At any given point of time, the image on the screen is either red, or green, or blue, and the technique relies upon your eyes not being able to detect the rapid changes from one to the other. However, not only can some people see the colors separate, but the rapid sequencing of color may be responsible for reported cases of eye strain and headaches. But the vast majority of the people cannot detect the rainbow effect.

Newer sets have the color wheel rotation speed doubled. Also, newer sets utilize a six-segment color wheel (instead of a 3 segment) that has two sequences of red, green, and blue. Because the wheel is at double speed, and because the red, green, and blue are seen twice in every rotation, the effect is a quadrupling of the rotation speed. This eliminated the visibility of rainbows for most of the people who previously saw the effect.

Samsung and other companies have introduced DLP sets with LED lamps and no color wheel. The lamp bulbs in the older designs need to be replaced every few years. The LED lamp should last the lifetime of the television.

LaserVue (Mitsubishi) is being introduced in the United States now in time for the Christmas season. LaserVue is a DLP system (Texas Instruments "Dark Chip 4" Digital Light Processor) that eliminates the conventional bulb and replaces it with a solid state laser. The performance of the video is outstanding, but the technology will cost you about 00 for a 65" HDTV. The reliability/lifetime improvement may be better, but there is little data on this new laser. An Argon ion laser would be expected to have a lifetime of about 8000 hours (5-6 years of normal usage). The Mitsubishi LaserVue uses a laser system made by Arasor, an Australian startup company, made from lithium niobate (PPKN). Mitsubishi is currently performing accelerated stress testing, but has so far released no results. A LaserVue HDTV draws under 200 watts of electricity. That is approximately half that of comparable LCD HDTV, and less than a third of a plasma High-Def system.

Pros:
o Small package size
o High contrast image with deep black levels
o Good value

Cons:
o Less bright images
o Rainbow effect
o High Maintenance Cost: DLP requires frequent bulb changing requirements (anywhere from 6,000 to 8,000 hours, about 3-4 years with normal usage) versus 50,000 or more for most LCD or plasma screens. A replacement bulb will cost about 0-0. Samsung is using LED illumination instead of lamps. The LED should not have to be replaced.

Plasma Display:

Thin design, high contrast ratings, Size up to 60 inches or more; some display limitations: costly, older systems had a high burn-in risk (over time, a memory of what was projected was retained); This could pose a problem for those who like to play video games or watch taped movies. If you put the game or tape on pause for too long, this could burn an image into your screen.

Pros:
o Exceptional picture quality: It can produce up to 8.6 billion colors, an accurate color reproduction and wide viewing angles
o Large screen sizes: Some Plasma TV units are now manufactured in screen sizes that can span up to 100 inches
o Lifetime: Plasma TVs are also known for their extended lifespan capacity of approximately 60,000 hours and great contrast (deep blacks)
o Less Expensive than LCD

Cons:
o The displays are very bulky, heavy, and fragile
o Burn-in
o Slowly degrades over time
o Energy inefficient

Coming Soon: OLED (Organic Light Emitting Diode) HDTV sets are now available, but it will be a couple of years before they warrant serious consideration. An OLED set is less than 1" thick. OLED has already used in digital cameras and cell phones with small panels, because of their energy efficiency, which is important in portable devices.

STANDARDS:

o NTSC Analog TV or Standard Definition TV (SDTV): The current system that is being phased out (National Television Systems Committee).
o EDTV (Enhanced Digital TV) : basically high-end Standard Definition TV: While these sets may be better than standard sets, the picture quality is not equal to HDTV. Technically, there is little difference between an SDTV and an EDTV (except for the higher price).
o ATSC Digital TV: This is the new system (Advanced Television Systems Committee), which is not necessarily High Definition.
o HDTV: is digital TV where the image is a wide-screen picture with many times more detail than is contained in current analog television pictures. Most consumers will see a huge improvement in image quality. HDTV has a better quality image than SDTV because it has a greater number of lines of resolution. The image is two to five times sharper because the gaps between the scan lines are narrower.

SUMMARY

Any of the four technologies can be a good choice. The competition is intense, and all of the technologies will continue to improve. Buying a TV will never again be as simple as it was before HDTV, but the benefits can be worth the headaches.


HDTV For the UnGeek

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Saturday, November 5, 2011

3D Enabled TV Systems Thanks to DLP Technology

!±8± 3D Enabled TV Systems Thanks to DLP Technology

Back in 2007 Texas Instruments introduced to the industry the very first 3D capable solutions. They had successfully utilized the most recent advances made in 3d shutter glasses along with the speed gained from DMD (digital micro mirror device) technology which enabled an enhanced stereoscopic imaging needed for right / left viewing. The combination of the two then allows users to view high def 3D images on a DLP (digital light projection) television set.

At the root of this is the smooth picture algorithm. 3D technology uses the sub frames of smooth picture technology to generate and send an independent image, by means of a signal, to the left and right eye of the viewer. The LCD shutter glasses then process that signal so the correct view is transmitted to the correct eye which gives the viewer a true 3 dimensional depth to the image. So in essence all you need to obtain that cinema quality 3D experience are a 3D enabled DLP TV, a pair of LCD shutter (3D) glasses along with a sync signal transmitter and of course a source of 3d content that uses the DLP 3D video or graphic format.

The main advantage of using this technology is that DLP 3D delivers a higher frame rate of 60Hz to each eye. Unlike other frame sequential systems the resulting stereographic display is flicker free. Current DLP HDTV from the likes of Samsung, Mitsubishi and Panasonic benefit because this 3D HDTV technology incures very little costs to implement and gives the purchaser a decent level of future proofing. Unlike older 3D glasses, those pretty naff red and blue numbers we all remember, the new generation suited to use with DLP 3D enabled TV systems have power shutters that deliver unprecedented colour fidelity and exceptional depth of picture.


3D Enabled TV Systems Thanks to DLP Technology

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Sunday, October 30, 2011

Mitsubishi 915P061010 Lamp for Mitsubishi DLP TV

!±8± Mitsubishi 915P061010 Lamp for Mitsubishi DLP TV

Brand : Mitsubishi | Rate : | Price : $64.67
Post Date : Oct 30, 2011 12:30:11 | Usually ships in 1-2 business days

This Mitsubishi original equipment 915P061010 replacement lamp fits the rear projector DLP TV models listed below. These lamps contain mercury and must be disposed of properly. Included with each replacement lamp is a prepaid shipping label to return your old lamp to Mitsubishi for recycling.

  • Brand New OEM compatible Lamp
  • Installed in a Brand New Housing
  • 6 Month Warranty
  • Free UPS Ground Shipping
  • Same Day Shipping M-F by 5pm EST

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